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Robert Powell… tilting at windmillsYou can be sure that the action is for real when Robert Powell steps out to begin a second series of Hannay this week. “Anthony Valentine and I have a sword fight which lasts for about two minutes on screen,” says Powell, who once played Jesus Christ on television. “We did the whole thing ourselves and it took all day to film it.” Sword fights are genuinely dangerous affairs. The blades are real, so the choreography has to be perfect, to make sure each man knows exactly where the other will be when he swings his blade. Make a mistake and blood will flow from real wounds. |
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The same
applies to the other stunts. “Audiences today are sophisticated,” says Powell.
“They are used to seeing American series where there are car crashes and
machine-guns and so forth, and, of course, we don’t have any of those.
Nevertheless, the essence of the Hannay adventure is that it has very physical
properties.” The action sequences in this new series of adventures include
swingin from the sails of a windmill while they turn, as well as endless
running, jumping, swimming and diving. “I have to
swing on the windmill myself,” says Powell. “I have to dive into the reservoir.
I have to drive a truck through an Army checkpoint. I am endlessly shot at, of
course. And I have a fight on an Army truck.” He relates
all the adventures with a light in his eye and an enthusiasm in his voice that
indicate he is having the time of his life. Despite a genuine antipathy from
hanging from things, ever since the Crucifixion scene in director Franco
Zeffirelli’s Jesus of Nazareth on television began to border on the
all-too-real, he throws himself into his stunts with genuine zest. During a
dance sequence in the first series of Hannay, he slipped on an over-polished floor
and fell heavily on one knee, bruising himself painfully. The injury soon
cleared up, though, and he was horrified, months later, to find himself being
described in a newspaper as badly injured. “I was
playing cricket at the time, for heaven’s sake!” he grumbles. “We were in Monte
Carlo for the Lord’s Taverners, and I actually scored 43 runs while I was doing
it!” Newspapers
have been bad news for Powell for years. When he was cast in Jesus of Nazareth,
he was already living with Pan’s People dancer Babs Lord. A knock on the door
one night nearly cost him the role. It was the start of a newspaper campaign in
which he was pilloried so many times for being unmarried that he almost lost
the part. “I got so
fed up with journalists at that time,” he says. “A man gets cast as Jesus
Christ and they immediately tried to find something that might preclude him
from playing the role!” What infuriated him even more was that, when he and
Babs did get married, *(lost
paragraph) a classic,
I’ve never had another penny from it since,” he says. It did,
however, make him a close friend of one of the giants of the screen. His own
family and Zeffirelli have remained friends ever since, and the Powells often
holiday at Zeffirelli’s villa in Italy. He is godfather to the Powell childre,
Barnaby and Kate. “It gave me
a terrible passion for Italy,” says Powell. “I actually get withdrawal symptoms
when I am not there, and Babs gets them, too. Also, we both adore pasta. Now,
there’s real compatibility for you!” He also makes films in Italy. Powell is
no stranger to the role of Hannay, which is based on John Buchan’s thriller,
Thirty-nine Steps. He starred in the film version but now his main concern is
that this second TV series is a success and re-establishes his name on televison. “I found I
had been spoiled by the cinema,” says Powell. “What made me aware of it was
when a little girl came up to me at a cricket match and said, “Give us your
autograph, my mom says you’re famous.” “I suddenly
realised there was another generation which had little idea who I was. Their
mums had to tell them. Source TV Times 1989 |
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