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AFTER
JUDE… OBSCURE ? It’s
been about two months now since Robert Powell finished recording his
new BBC-2
serial, the classic Jude the Obscure, so we thought
we’d give him a ring
and see what’s been up to since then, because he seems to
have dropped temporarily
out of sight. Well, Powell fans, it seems
that Robert has
forsaken the TV screen for theatre right now, because the only
appearance he’s
made since completing Jude was a Sunday night production of a play
called
Pirates at the Royal Court Theatre in London’s Sloane Square. Says
Robert: “That’s the only occasion I’ve
worked since mid-November. I suppose I
did it mostly for prestige because I goy virtually no money for it. I
worked
solidly on reharsals for three weeks before the performance, and was
paid two
guineas in all! “But when I have got
money in the bank, it
doesn’t interest me anyway – it’s only
when I have none I start to become
interested! I made money out of Doomwatch but didn’t save any
– out of that I
bought my car and a stereo, and the rest went on dining out and things
like
that, taking people out.” Though
Robert hasn’t been doing much acting, he hasn’t
been idling his time away
either. “Oh, no, I
haven’t been doing nothing. In fact
I have an enormous amount to get through. For instance, there are
friends to
chase up – people I haven’t been able to see for a
long time because I’ve been
working. I’m also decorating my flat because it needs such a
lot of doing to
it. “And I’m
reading Hamlet, because this afternoon
I go off to discuss the possibility of doing two plays for Prospect
Productions, who are a touring company. One of the plays is Hamlet
– I wouldn’t
be playing Hamlet though – and the other is an 18th
century play
called Man of the world. “I do prefer theatre
as a medium because the actor
is in charge. I am used to TV and film cameras, but the TV system is
totally
destructive to acting. There’s the time element –
you’ve got to be finished by
10 o’clock, so whether something’s right or not
it’s rushed through. The time
element and the pressure are very damaging, I feel. “The fact that
theatre is live and immediate
doesn’t worry me. I have confidence in that respect
– but I’m never satisfied
with anythings I’ve ever done for television. I see so many
things that could
have been different. I know what I was trying to do and it
doesn’t always work
out. But I suppose perhaps viewers wouldn’t notice. I get
upset by most of the
things I’ve done. In fact I loathe watching myself on
television – yet I still
do, so that I can analyse and learn.” I asked Robert how pleased he
was with the way
Jude the Obscure has turned out. “I’ve only
seen a couple of the episodes – and it’s so hard to
be objective about it.
We’ll just have to wait and see what reaction it
receives.” Robert once said he wanted to
direct eventually
instead of act. I wondered if this is still his ambition, and why so
many
actors have directing as their goal. “Well, I think the
life of an actor, after a
certain number of years, becomes rather futile. At first you have tons
of drive
and enthusiasm, but as one gets older just being an actor
isn’t enough. You are
so dependent upon other people and the whole business is very insecure.
I don’t
want the insecurity. I want to be in a position to employ other people,
where
I’m in command. That wouldn’t happen so much in
directing – perhaps producing
is more what I want to do.” While Robert’s been
having his ‘vacation’ he’s
also been catching up on some football – a long-standing
hobby. “I play for a
South London league side and I’m supposed to be playing next
Sunday. I started
off playing for the Show Biz XI, with Dennis Waterman, a great mate of
mine,
and after a time we got together and were the founders of the team we
now both
play for. But we’re the only actors in the team.” It’s obviously great
to have some time off to
do the many things Robert rarely gets time for, but I wondered how
worried he
would be if time went on and there was no sign of a suitable part
turning up. “Well, at the moment
I have a large tax bill to
pay, so I need to work for the money! But normally, even if I had
plenty of
money, I would indeed get worried if I weren’t acting.
I’d be frustrated. It’s
what I live for at the moment. “I’m only
75 per cent a person when I’m not
acting.” That might be so, but you sounded quite a hundred
per cent to me,
Robert! Judith Wills Fabulous 208, 6th
February, 1971 |
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